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For the love of tanpura 2​.​4​.​2

by Harry Lieben

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I originally bought my first real and fancy instrument, a tanpura, to accompany myself while overtone singing. But upon hearing the Zen master-in-the-arts Michael Vetter play the tanpura in a very unorthodox way as a solo-instrument, I got really curious as to how he managed to get so many tones out of just the four strings. Instead of just asking, I tried for myself everything from plucking forcefully to caressing the strings. Endlessly tuning the four strings was key (...) and leaving out the little silk strings that are so vital in playing the tanpura in the classical Indian sense. The preferred way of communication with the instrument is face-to-face.

This lofi recording on MiniDisc was made in Spring 2002 at my house in the living room. It is the culmination of many months of joyful and intense discovery on the possibilities that I managed to find. There is no plan when playing, there is no second time to play the same, there is only continuous practice and being touched while touching the strings. Listening to the sound and choosing or rejecting a direction, a melody that presents itself. Incorporating small mistakes (and/or divine interference) into the music. Being ever so careful not to shy away a particularly lovely note, losing myself.

Why the extension 2.4.2? The romantic version is that alternatively only two or (at the end) all four of the strings are being played. In the dull version the first 2 means it is the second Mini-Disc that I recorded in this fashion. the 4 means it is the fourth track. and the second 2 is because I edited the first 10minutes out. It is only after those first 10 minutes of searching and not really finding that things are getting interesting. After all, I do not want you to get bored!

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released January 19, 2020

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Harry Lieben Assen, Netherlands

The first instrument of man is the voice. The first amplifier, a cave. For a caveman, there is no middle of the road.

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